Glacial

In 2019 I visited the Colman Glacier at Qwú’mə Kwəlshéːn (Mount Baker, Washington) with a small team to record the sights and sounds at the glacier. The resulting artwork, which was 3 years in the making, is an almost five-hour immersive sound and video installation in which the sounds of the glacier melting are modified using musical instruments as speakers accompanied by a detailed video portrait of the glacial environment. Using a violin, viola, cello, double bass, timpani, and cymbal fitted with sonic transducers, through a process of recording and re-recording, naturalistic field recordings are transformed into the resonant frequencies of the instruments which form the basis of this sound composition. The scale and materials of the instruments act as acoustic signal processors and, in the installation, the smaller string instruments are mounted to the gallery walls while the larger instruments occupy the floor space. Central to the installation is a large-scale animated video projection, generated from a massive composite photograph, that leads the viewer through a tour of the glacier in slow motion from distant vistas to extreme details. For this recording, the audio feed to each of the instruments was recorded separately in the studio and recombined in a virtual 3D space to best emulate the installation in both stereo and multitrack formats. To listen or purchase click here

Audio Composition: Paul Walde
Field Recordings: Jean Routhier, Paul Walde
Audio Studio Recordings: Stella Drinkwater, Sean Kiley, Kirk McNally
Audio Mastering: Stella Drinkwater, Kirk McNally
Audio consultation: Kirk McNally
Production Assistance: Zoe Walde
Photography: Laura Gildner
Photography Post-Production: Laura Gildner, Michael Huston, Nick Patterson, Paul Walde
Graphic design: Nick Patterson, Paul Walde